![]() You can hear him at work in this great Computer Music video or a more specific Music Tech Magazine one focusing on drums, both of which were a great inspiration in writing this. A lot of what I’m discussing here has been picked up from Hal Ritson of Replay Heaven/ The Young Punx, who is a dab-hand at this sort of processing. ![]() ![]() ![]() In this article, I’ll try to assimilate the sound of the 60s/70s drum recordings that we often reach for, starting out with a modern multi-track recording. There’s something nice about creating your own, but the often clinical recordings that are so easy to make these days can lack a bit character that we’re so used to hearing on our favourite soul, jazz, funk and Motown records. However, these samples are available to anyone else who has that record, sample pack or library. Sampling is such a given in modern music that we probably don’t give it much thought these days – lifting a musical loop, breakbeat or even spoken word sample from someone else’s record is almost second nature to producers and has been commonplace since the explosion of sampling in the early 1980s.
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